By Jason Bodden
In Part 1 of this series, we explored the fundamentals of using a light meter for flash photography. Key takeaways included:
With these principles in mind, Part 2 will focus on a more advanced application: using a light meter with neutral density (ND) filters to achieve shallow depth of field in bright conditions without High-Speed Sync (HSS).
There are situations where a photographer may want to shoot at a wide aperture (e.g., f/2.8) in bright sunlight but cannot use High-Speed Sync (HSS). This could be because:
In such cases, an ND filter is a simple and effective solution. ND filters reduce the amount of light entering the lens, allowing for wider apertures at lower shutter speeds while keeping the camera’s shutter speed at or below its flash sync speed (e.g., 1/250s).
However, using an ND filter introduces a complication for flash metering: since the filter darkens the entire exposure, the light meter reading must be adjusted accordingly.
Let’s break this down with a practical scenario.
Without an ND filter, the correct exposure at 1/250s and ISO 100 might require an aperture of f/11. However, f/11 would create a deeper depth of field, bringing too much of the background into focus.
By using a 4-stop ND filter, we can reduce the brightness by 4 stops, allowing us to shoot at f/2.8 while maintaining the same overall exposure as f/11 without the ND filter.
Key concept:
✔ f/2.8 + ND16 filter = f/11 exposure without the ND filter
There are two simple methods for adjusting flash power when using a light meter with an ND filter:
Regardless of the method used, the camera aperture remains at f/2.8, ensuring a shallow depth of field while maintaining proper exposure.
Using a light meter with an ND filter is a straightforward technique that allows photographers to balance flash exposure in bright environments while maintaining creative control over depth of field. This method ensures that flash exposure remains accurate, even when ND filters reduce the ambient light.
By understanding how to compensate for ND filter density using a light meter, photographers can confidently shoot in bright conditions without relying on HSS or compromising on aperture choice.
If this is something you’ve ever wondered about, I hope this guide has clarified the process. As always, feel free to reach out with any questions.
Until next time, take care!
Jason Bodden is a Florida-based portrait and general assignment photographer who hails from the Caribbean’s Trinidad & Tobago. He has extensive expertise in both studio and location lighting.